Six women, one Venus, and you never know what to expect
The Venus 2000 knows no fatigue and shows no mercy. You can read about what it can do in the previous post. Find out here who operates it and what happens to you in the process.
So there you lie, fully restrained and at their mercy. The door opens, and in rolls our trolley – laden with a shiny black box, hoses and cables snaking their way around, and odd-looking pistons. There it is, the Venus 2000. The machine is always the same, but the experience is never. How the session with the milking machine turns out doesn’t depend on the piston, nor on the settings or the speed selected. Not even on you.
Solely the person operating the Venus determines the session and what they intend to do with it. Will they tease you slowly to the point of no return? Amuse themselves at how you squirm? Work on you until you’ve completely forgotten what it is you’re actually begging for amidst loud whimpers?
Here at BDSM Studio LUX, we regularly play with the Venus 2000. Now you can enjoy insights into the approach of 6 selected team members.
What I like is easy to explain
Luna gets straight to the point
The machine immediately gives her the perfect opportunity to elicit a specific reaction from you. As a reaction fetishist, she loves the hopelessness of your situation and the chance to control your desire with the dial.
I love that I can control the machine and see the effect on your body straight away. I turn it up, you moan and move. I turn it down, you want more again... but I won’t give it to you. I turn it right up and you can barely stand it. It’s the perfect device for teasing and denial.
Of course, this manipulation of your lust also fires up Luna’s imagination. She actually has other plans for you now:
I also like the fact that I can do something else to you whilst you’re being milked. I can play with your nipples, give you a golden shower, or inflict sweet pain on you. Or I can tell you your dirty thoughts whilst we’re at it, and get more and more into it together as the volume is turned up bit by bit.
While preparing this article, I sat down with Luna. As is often the case when colleagues are chatting, she ended up sharing a little insider story about one of her favourite sessions. I think this account is definitely something that shouldn’t be left out here:
This was part of a clinical role-play. The guest was tied up because he couldn’t keep still after I’d examined him thoroughly beforehand. I’d already given him a thorough enema, taken a blood sample, performed a bladder irrigation, and now I needed to examine his ejaculate.
As he wasn’t producing much on his own, I needed the help of the milking machine. I slowly increased the pressure of the pump, set the speed control to about the first third, and went into the next room for a moment to leave him alone with the milking machine.
He groaned and kept calling out my name. I left him writhing on the Venus 2000 for about 10 minutes, popping in every now and then to tell him that if he kept writhing like that, I’d probably have to adjust the pressure and speed a bit more, as we wanted a usable result, and I turned it up a notch. I had long forbidden him from having an orgasm. Eventually, it became so unbearable for him that he couldn’t hold back any longer.
Let’s put it this way: we now had enough ejaculate for the examination.
The Test Subject
Lina Twist has an incredible penchant for refined perversions. You’ll instantly become the guinea pig in her personal experiment in pleasure. Being reduced to a test subject – doesn’t that sound a bit cold? I don’t think so. Because Lina observes you very closely and gives you and your arousal her undivided attention.
With the pistons, hoses and cables, and the rhythmic pumping sounds, for me it’s the perfect blend of kinky playfulness and ecstatic intensity. You are no longer a man, but the test subject of my perverse experiments.
She was particularly taken with your complete fixation. As the saying goes: anyone who can move will slip away, and that’s not the intention.
What I like best is having you naked and tightly restrained on a lounger right in front of me. Then, at my leisure, I explore exactly how best I can drive you wild with the Venus. How tight, how slippery, how thrillingly fast or frustratingly slow. As I turn the knobs, you writhe in the ropes.
How exciting, whilst you squirm, Bizarrlady Lina Twist has all the patience in the world to drive you into a state of lustful madness.
Meanwhile
Mistress Firewolf has taken the concept of having your hands free to its logical conclusion. ‘Low effort, effective results’ is how she describes the device, and she doesn’t mean that in a derogatory way. On the contrary. What the Venus achieves with minimal effort frees you up to do everything else. For example, latex play, supportive electrical play, breath control...
My favourite scenario is to have My slave restricted in the bondage boomer chair, ideally in full latex and masked, with a vibrating plug and/or some electricity running through his body, perhaps controlling his breath or letting him inhale a special solution, while I use the Venus teasingly on his hard member. Maybe I will let him have a release, maybe not. Maybe I will ruin his orgasm while I laugh, maybe I will be more generous…
As an experienced dominatrix, she also has a device for attaching the pumping Venus piston directly to her body. A perfect fit and a free hand for the mistress: sheer agony for you.
Additionally I own a special appliance to the Venus that allows Me to use it hands free, directly attached to My human object (even standing) so I can have My hands busy somewhere else while sweetly tormenting My plaything with the Venus… The fun is guaranteed!
Heaven and Hell
Lady Johanna doesn’t need a machine to exert control- but she appreciates the deeper level of support the milking machine offers her. Above all, the intervals between stimulation and withdrawal can be adjusted very precisely. What interests her isn’t the orgasm, but the journey towards it. And, of course, the decision as to whether you’re allowed to experience one at all.
Playing with the Venus 2000 is so wonderfully wicked. It’s tease and denial at its finest, a tantalising highlight that makes it so fascinating to me.
Not everyone reacts the same way; whilst some find it mechanical, others get completely carried away by it.
Those who can get into it quickly discover its very own special appeal.
It often doesn’t take much… just small changes…
A different rhythm, a touch more intensity…
You feel it immediately.
That incomparable blend of arousal and denial: heaven and hell at the same time.
But where is it heading? I’m in control; I set the direction.
What starts out as a relaxed afternoon soon turns into a particularly sweet torment. Lady Johanna knows exactly what she wants. And it’s just as well that she also knows exactly how she’s going to get it.
At first, you lie there relaxed, curious, full of anticipation for what’s to come, looking forward to your own moment of indulgence. You have no idea what you’ve let yourself in for.
If only you knew…
Starting off gently, savouring the moment, the arousal curve rising, I can now incorporate lots of little nasties. Whether I focus a little more intensely on your nipples, introduce CBT or engage in anal play. Who knows? I’ll just go with the flow; you’re inspiration enough.
Then the rhythm changes, the intensity rises, you start to squirm. Now the fun really begins for me.
Edging, pushing the limits, yet I don’t let go of you.
You feel the rising wave, it builds inevitably.
An inner cry for release.
But then suddenly:
Stop….
A brief moment of utter bewilderment.
Your gaze seeks mine, disbelief in your eyes… I relish it.
And then I see that clear longing for the next thrill on your face. It excites me even more; my sadism is aroused.
Now the game really begins.
I tease you, then I withdraw… over and over again.
Time becomes my ally.
Until you no longer know what you want.
I, on the other hand, know all the more:
Your desire in my hands.
And you realise:
There was never a choice.
Deeper
Mistress Beate channels her energy purposefully to bring you to the desired state. The Venus 2000 is a wonderful tool that allows her to avoid wasting her energy on monotonous and tiring physical activities. She prefers to focus on taking you deeper into subspace and consummating your submission.
Its unwavering focus. In my sessions, I strive to build a relationship based on genuine surrender, and this machine allows me to remove the distractions of human fatigue. It becomes an extension of my inten, a tool that pushes a submissive into a state of total, rhythmic desperation that they simply couldn't achieve alone.
The rhythm remains constant for as long as she wants it to. There is no pause, no interruption; there is no need to reposition the hand, and the machine’s steady pulsing has a hypnotic effect. She describes what this does to someone who submits to Mistress Beate as follows:
I find the most profound moments happen when the machine bridges the gap between the physical and the psychological. I’ve used it to guide submissives into a deep state of trance, where they lose the ability to differentiate between the machine’s pulse and their own heartbeat. Watching someone cross that threshold into true 'subspace' while I maintain total control of the dials is incredibly fulfilling.
Of course, Beate has a favourite scenario too, and, as one would expect from her, it’s not just about aesthetics, but serves above all to maintain emotional control.
My ideal session is a human study. A medfet roleplay where the Venus 2000 acts as a diagnostic tool. It’s not just about the physical sensation; it’s about the emotional purge that happens when you are pushed to your limits in a sterile, controlled environment. It’s a moment of deep, vulnerable connection masked by the cold hum of sterile metal tools, and the depth of this machinery.
Closeness through distance
Most BDSM practices rely on direct contact: a hand, an instrument, a body. The connection is immediate, and the reaction is felt straight away. Phantessa is interested in something else: what happens when that direct connection is removed, yet control remains complete.
Generally speaking, the use of mechanical devices offers a wonderful way to elicit reactions from your partner in an abstract manner. I don’t have to touch you directly, and yet I still have complete power and control over you.
You are tethered and immobilised, whilst I move freely around you, touching you, watching you or whispering in your ear what else I’m going to do to you. You quickly realise that you can’t resist. Only I adjust and decide. The machine does the work, but I retain complete control.
The freedom to move when you can’t - that’s what makes it so appealing to her. She moves around you, steps close, then pulls back, and you have no idea what’s coming next. Meanwhile, the machine keeps running smoothly, completely unfazed by what’s going on inside you.
The mechanical breathing of the piston working on you might even put you into a trance-like state. The machine operates steadily and relentlessly, heedless of your reactions; there is no human hesitation, no yielding, only the rhythm I set.
For Phantessa, who loves latex, the natural setting is a futuristic one. A scenario in which you are no longer a guest but an object, where latex, light and equipment combine to create an atmosphere that makes it impossible to think of anything ordinary. The milking machine fits into this setting as if it were made for it.
We are both wrapped in several layers of latex, including masks, so that all I see before me is an object on which I can carry out my experiments on orgasmic capacity. I test your reactions to different stimuli. Of course, you’re not allowed to just come like that; instead, you’re obliged to tell me every time you’re on the verge of exploding. I secure you firmly by your arms and legs in the sling, with the relevant areas exposed, of course. The lights of the latex room reflect off your body – and, naturally, off the transparent cylinder of the Venus, which I’m now holding in position with ropes.
I start the device slowly… let my latex gloves glide over your shiny body… touch my object wherever I please. Every now and then I increase the speed and the pressure. Eventually you’ll beg me to release you, but I remain merciless. Time and again I bring you to the brink of climax, only to slow the machine down again the very next moment.
Anyone who thinks that’s the limit of what’s possible is mistaken. Phantessa likes to combine the Venus with other devices. This not only increases the intensity, but also adds new layers in a targeted way. A different sensation, a different rhythm, and suddenly you no longer know where you end and everything else begins.
Every now and then I pick up the Magic Wand and make the cylinder vibrate as well. I revel in your begging and pleading to be allowed to come, and watch with relish as you writhe in your restraints.
I grant you a short break: I switch off the Venus, remove the cylinder and add a second device. Only gradually, in the dim light, do you realise – it is an EStim device. I place two electrodes on your best piece, secure them with a rubber band and let you slide back into the cylinder with plenty of lubricant. Slowly I switch on the current, and you feel a gentle, ever-increasing pulsation… and next I switch the Venus2000 back on.
Your session with the Venus 2000
Six women, one machine, and so many different ways to use it. Luna controls your desire like a dial. Lina Twist calmly explores exactly what drives you wild. Mistress Firewolf has long since set her hands to other tasks. Lady Johanna knows that the most exciting moment is the one just before she stops the machine. Mistress Beate saves her energy for what comes after the physical. And Phantessa builds a world around you in which you cease to be a guest.
Have you now fancied having your own experience with the Venus?
Book your appointment directly via our authors’ profiles. You also have the option to take a look around the team page.
